Dahak

lendir menjijikkan dan menyebalkan yang bersemayam di tenggorokanmu, menunggu untuk dikeluarkan.

http://www.youtube.com/watch?v=yfUiSH4YelE

4 days ago
aw! George is singing :*

aw! George is singing :*

gabungan antara ngantuk dan mengedit proposal tahun lalu benar-benar tidak lucu.

_ayo buang dahak

Alex Turner and Miles Kane, English mucisians.
Alex sometimes looks like Noel or Liam Galagher.
sometimes Daniel Radcliffe.
Miles Kane sometimes sometimes Noel. Alex sometimes Paul Mc Cartney sometimes John Lennon too.
The conclusion is?

Alex Turner and Miles Kane, English mucisians.

Alex sometimes looks like Noel or Liam Galagher.

sometimes Daniel Radcliffe.

Miles Kane sometimes sometimes Noel. Alex sometimes Paul Mc Cartney sometimes John Lennon too.

The conclusion is?

mullitover:

JONATHAN CHERRY: What got you started with photography?
REGINA LEMAIRE COSTA: I started watching stuff at an early age, from old movies to lesser old movies and shows and what not, it’s basically all I do. I love staying home with fictional characters. Not surprisingly, I go to film school. Filmmaking is all about teamwork so I can’t direct, write and work on visual techniques on my own. Photography is different. I’m a storyteller, a director and I build my image all by myself. It’s very personal and I need that.
JC: Any emerging artists inspiring you at the moment?
RLC: There is something striking about the amount of people online, mostly kids bursting with talent, creating images that really feel like things are changing. But I think film inspires me the most. Lately I’ve been drawn to 60s/70s colors, sort of unnatural tones. Kubrick had an awesome DP. Lynch’s Blue Velvet’s day shots are amazing and remind me of All that heaven allows by Douglas Sirk, whose day shots are just as beautiful. I saw The Virgin Suicides when I was 12 and never got over it… Ed Lachman’s work has a special place in my heart.
JC: Whats your current project all about?
RLC: I’m crazy about the past… I see something like a Mamas & the Papas documentary and those saturated yellow/orange tones from the 60s break my heart. I wish I was there and imagine life literally had a different tint. I’m a die hard Ingrid Bergman fan but regret I’ll never photograph her under crazy spotlights that shaped such brilliant black and whites.
Keeping track of the present by capturing everyday moments is an ongoing project, so maybe later I’ll feel as nostalgic about my own memories. I also want to explore more visual techniques. Manual work is more appealing than photo editing to me.
There’s also Waiting lessons, a project on expectation and not knowing what will come from it or what might already have. Basically it’s about photography.
JC: Where are you currently living and how is it shaping you?
RLC: Paris is my home, where I’ve lived most of my life. Sometimes I hate its guts but I couldn’t leave it. I love that the city is relentless, because I’m not. When you think you’ve seen it all, it surprises you. I’m quoting Woody Allen but this speaks to me “He thrived on the hustle bustle of the crowds and the traffic”. The entire Manhattan prologue is gold.
JC: Any big plans for 2012?
RLC: New York is always in my plans. But I hardly think it’s going to happen in 2012. For now I’m focusing on school and just trying to absorbe as much knowledge as I can. I want to build some real self-discipline. A solid sleep schedule would be nice too. Ideas will come along. 
JC: Favourite tree?
RLC: Cherry blossoms and that huge tree from My neighbour Totoro!

love the “RLC: I’m crazy about the past… I see something like a Mamas & the Papas documentary and those saturated yellow/orange tones from the 60s break  my heart. I wish I was there and imagine life literally had a different  tint. I’m a die hard Ingrid Bergman fan but regret I’ll never photograph  her under crazy spotlights that shaped such brilliant black and whites.” :)

mullitover:

JONATHAN CHERRY: What got you started with photography?

REGINA LEMAIRE COSTA: I started watching stuff at an early age, from old movies to lesser old movies and shows and what not, it’s basically all I do. I love staying home with fictional characters. Not surprisingly, I go to film school. Filmmaking is all about teamwork so I can’t direct, write and work on visual techniques on my own. Photography is different. I’m a storyteller, a director and I build my image all by myself. It’s very personal and I need that.

JC: Any emerging artists inspiring you at the moment?

RLC: There is something striking about the amount of people online, mostly kids bursting with talent, creating images that really feel like things are changing. But I think film inspires me the most. Lately I’ve been drawn to 60s/70s colors, sort of unnatural tones. Kubrick had an awesome DP. Lynch’s Blue Velvet’s day shots are amazing and remind me of All that heaven allows by Douglas Sirk, whose day shots are just as beautiful. I saw The Virgin Suicides when I was 12 and never got over it… Ed Lachman’s work has a special place in my heart.

JC: Whats your current project all about?

RLC: I’m crazy about the past… I see something like a Mamas & the Papas documentary and those saturated yellow/orange tones from the 60s break my heart. I wish I was there and imagine life literally had a different tint. I’m a die hard Ingrid Bergman fan but regret I’ll never photograph her under crazy spotlights that shaped such brilliant black and whites.

Keeping track of the present by capturing everyday moments is an ongoing project, so maybe later I’ll feel as nostalgic about my own memories. I also want to explore more visual techniques. Manual work is more appealing than photo editing to me.

There’s also Waiting lessons, a project on expectation and not knowing what will come from it or what might already have. Basically it’s about photography.

JC: Where are you currently living and how is it shaping you?

RLC: Paris is my home, where I’ve lived most of my life. Sometimes I hate its guts but I couldn’t leave it. I love that the city is relentless, because I’m not. When you think you’ve seen it all, it surprises you. I’m quoting Woody Allen but this speaks to me “He thrived on the hustle bustle of the crowds and the traffic”. The entire Manhattan prologue is gold.

JC: Any big plans for 2012?

RLC: New York is always in my plans. But I hardly think it’s going to happen in 2012. For now I’m focusing on school and just trying to absorbe as much knowledge as I can. I want to build some real self-discipline. A solid sleep schedule would be nice too. Ideas will come along. 

JC: Favourite tree?

RLC: Cherry blossoms and that huge tree from My neighbour Totoro!

love the “RLC: I’m crazy about the past… I see something like a Mamas & the Papas documentary and those saturated yellow/orange tones from the 60s break my heart. I wish I was there and imagine life literally had a different tint. I’m a die hard Ingrid Bergman fan but regret I’ll never photograph her under crazy spotlights that shaped such brilliant black and whites.” :)

:(
my heart will never be the same. ugh!

:(

my heart will never be the same. ugh!

(Source: bleito)

lomographicsociety:

Falling in Love with Magnum

It’s that special time of the year again and a great way to celebrate it with your partner is to go to an exhibit which features expressive photographs of love. Here’s the perfect exhibit for you and your loved one — details after the jump!

How to Survive Tumblr

jayarrarr:

  1. Post shit.
  2. Take a deep breath. Pause. Exhale. Look around you as you exhale. See real things around you. Things you can touch. Touch them, if necessary, to prove to yourself you can touch them.
  3. Walk outside. Run in forests. Swing on swings. Eat ice cream or whatever. Otherwise live life. Smile, laugh, have fun.
  4. Come back inside and log on. Realize tumblr’s just another fucking website and it does not rule your fucking world.
  5. Laugh.
  6. Post more shit.
travelthisworld:

As Sahilin, Tunisia

i do love this! the door, the bike, the wall. everything!

travelthisworld:

As Sahilin, Tunisia

i do love this! the door, the bike, the wall. everything!

(via )